Wall painting in the prelacy tract showing a view of the baroque monastery
on the Herreninsel, ca. 1770
From 1979 to 1989 archaeological excavations were carried out on the Herreninsel, which indicate that the first monastery on the site of the present building was founded in the early 7 th century (before 629). Fragments of the choir screen1 indicate that the Carolingian monastery church had an interior of great artistic quality.
St. Salvator, the abbey dedicated to the Divine Saviour, was replaced in the High Middle Ages by an Augustinian Monastery with a church dedicated to St Sixtus and St Sebastian which was consecrated in 1135. From 1215 the church also served as the cathedral of the Chiemsee bishops. The Romanesque church with its two towers was rebuilt in the Late Middle Ages.
St Augustine (original), St Sixtus (copy) and St Sebastian (copy), stone figures from
the west façade of the cathedral by Georg Pämer, 1677/78, which now stand in the
small monastery churchyard.
The Cathedral Chapter Church was largely rebuilt from 1676 to 1679 by Lorenzo Sciasca (Sciascia). The stucco-work is by Francesco Brenno and Giulio Zuccalli, the ceiling paintings by Joseph Eder and Jacob Carnutsch. Only the nave has remained. The choir and towers were pulled down after 1807 and a brewery was installed in the nave. Designed to function as a monastery church and cathedral, it was a significant early baroque building in the tradition of the Grisons baroque masters.
This church was built for the lay people of the monastery parish. The late Gothic building was consecrated in 1469, and was rebuilt and refurnished from 1630 to 1632. The early baroque high altar (1632) and the coffered ceiling with panel paintings of scenes from the life of Mary date from this time.
The church also has a valuable baroque organ dating from 1668. On the façade of the building are the coats-of-arms of the Augustinian provosts.
The chapel was built in 1697 on the north shore of the island. It was probably designed by Giulio Zuccalli, and the cycle of paintings is by Joseph Eder (1700). The late Gothic crucifix (copy) on the outer altar wall is from the Cathedral Chapter Church.
1 Choir screen
The function of this rather elaborately and colourfully decorated construction in wood or stone was to divide the main body of the church where the congregation was from the presbytery which was reserved for the priests.
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